Knights and Damsels

My Dear Reader,

I hate, hate, hate not being in control of my own situation. Not that I seem to have any power to avoid it, mind you. Being incredibly awkward and remarkably unlucky can do a lot to mess up one's plans of an ordered life. I, for example, would much prefer it if I could manage to make coherent conversation when I'm around people whom I want to impress. This, however, is rarely the case. I suppose I should be grateful for so many lessons in humility. Frankly, I can't count the amount of times I've walked away from one of those experiences with the strong desire to shoot myself in the face.

Really, I feel like for me, any endeavor to not look like an idiot is mostly pointless. I'm not sure why I keep trying.

And sometimes it's not even my fault. Sometimes, the world is just dead set against me having any dignity.

Take my car, for example. His name is Hugo, and he likes to break down in the middle of the night while I'm taking important guests to important destinations. He also likes to automatically lock himself when the keys are inside and I am not.

And when something like that happens, I really would prefer to just be swallowed up into the depths of the ocean than to ask for help. Because whether I could control it or not, being in trouble like that means that I have failed somehow. It makes me look stupid and incapable, and that's not how I want the world to see me.

It occurs to me that traditionally, that's not how it's supposed to be. As a woman, I'm supposed to play the part of the damsel in distress, awaiting a knight in shining armor who will swoop in and save the day.

And it's not that there aren't enough knights out there. I just make an awful damsel.

Being in distress, for instance, is not something I like discussing until long after it's passed. It's a lot more comfortable to hide behind a mask of indifference and make discreet inquiries until I can figure out how to solve my own problems. Then, once the moment has passed and the problem has been solved, I'll enjoy telling you about my harrowing journey.

But in the moment, when everything is falling apart and I'm at my wit's end, the last thing I want to do is make people aware of the trouble I'm in.

Partly, it's because I really hate bothering people. I have this instinctual idea that in general, most people are better off with as little contact with me as possible. Especially when I'm a wreck.

Partly, it's because of that look people give me, and the way it makes me feel. It's that look that a parent gives to an idiot child. And I'm neither an idiot nor a child. I'm just a dork.

And partly, it's because when someone helps you out of a jam, like sliding a slim jim through the crevices of your car door to get Hugo's darn locks unlocked, you automatically owe them something. And while I hate being in debt, I really hate debts when the method of repayment is not clear. Is it enough just to be friendly and use this to start a neighborly relationship? Or am I obligated to repay the kindness with a plate of cookies? And what kind of cookies are the most appropriate? Or should I bake a cake? Or a pie? Or maybe a whole meal? Or maybe, I will do all of these things and still never feel like I've done enough.

Really, the process of being rescued is often more disconcerting than being in distress in the first place.

I realize, though, that there are plenty of women who are experts at damsel-try. They can make knights appear out of thin air. If there's a guy they like, they can invent a catastrophe just to get attention. They can even pull it off so that the whole thing actually makes them seem desirable.

And really, why is helplessness so desirable? Why can't tardiness make a girl desirable? Because I've got that one in the bag. I also have an unlimited supply of useless-but-interesting trivia and I know when to use "who" and "whom."

It's a shame, really, that these skills aren't in higher demand.

I suppose that at this point, I should concede to the fact that people need to be needed, and that knights are no exception. I definitely get that. And I definitely do need people, despite my efforts to obtain total independence. Some days, I can be helpless on an almost hourly basis. And it's not that I don't appreciate being saved from catastrophe. I just don't want you to see me when I'm not at my best.

So, Dear Reader, if you happen to be the knight-in-shining-armor type, I would hope you would give a girl a chance and be open to the possibility that a girl can still need you, even if she's too much of a dork to show it properly. Even if it takes her hours and hours of fearing that asking for your help will cross some kind of line.

Even if she's afraid that she isn't good enough to be helped.

I would hope that you would be patient and kind enough to let a girl see you as a knight long, long before she feels secure enough to let you see her as a damsel. Because if you want to find a girl who will go out of her way to not manipulate you, you would be off to a pretty good start.

And when the inevitable day comes when I manage to make a complete fool of myself in front of you, I hope you will, at the very least, understand that I am very often a very competent and capable human being.

You will, won't you?

Regards, best wishes, and here's hoping that I didn't do it again,

-Cecily Jane

"Remove This Cup"

My Dear Reader,

In the course of twenty-six years of church attendance, I have encountered Eliza R. Snow's great hymn, "Behold the Great Redeemer Die" countless times. I know it almost by heart.

As you may know or might have guessed, the hymn tells the story of the Savior's atonement, death, and resurrection. Pretty heavy stuff. The words paint a picture of suffering and sacrifice that is both haunting and enlightening. But it is the beginning of the fourth verse, the last verse usually sung, that really sticks out to me. Mostly because it has an almost contradictory message to the previous verses. These are the words that pierce my heart:

"'Father, from me remove this cup/But if thou wilt, I'll drink it up.'"

This, of course, is a reference to Luke 22:42. It's the final thing Jesus says before beginning the process of atoning for the sins of all mankind, before He would sweat out His own blood. These are the words He spoke as He prepared to die so that the children of God might rise again.

But I wonder if there is more to these words than that. I wonder if these, like so many of the words of Jesus, are a pattern for how we are to live our lives.

Perhaps it is a motto for us to live by.

I do not believe that God expects us to court suffering. We are not to try to increase our suffering as a way to get closer to God. This is something that has often been misunderstood. God expects us to court holiness, love, and joy. These things are what we should be seeking after. Sorrow, pain, and grief will follow us on our journey, but they are not why we are on the road.

Perhaps this is the true lesson of the Atonement. Or, at least, a crucial part of it.

When Christ, the greatest of all of us, the only one of us who actually did everything right, and the Only Begotten of the Father said "remove this cup," He was teaching us that it is not cowardly or sinful to want as little pain as possible. But when God calls, we answer. When He asks, we do. We may ask questions. We may be confused. But of we are faithful, we will do what we are asked, no matter the cost. If we want holiness, love, and joy, we must be willing to pay the price.

Jesus did not want His stripes. He wasn't anxious to suffer. But when He was asked to drink that cup and suffer an eternity of pain and torment, He did it all without complaint. He did it because even though there were things that He wanted for Himself, He knew that helping us was more important. When He compared the benefit to the cost, He was willing to do what was necessary.

That is how we need to be.

We will not have to suffer the same magnitude of pain that Christ did, but we all have our bitter cups to drink. We all have weaknesses to overcome and burdens to bear. We all have to change. And we're mostly not going to like it.

But if we are true disciples of Jesus Christ, we realize that we want something more than to simply be spared.

If we are true followers of Christ, we realize that we are not here in this Earth to change God. We are here on this Earth so that God could change us. Change is not only uncomfortable; it often hurts. But change is necessary. If we trust God, we will accept that in all things, He knows better.

And when He asks us to give up what we love, and when He asks us to suffer, it is okay for us to get on our knees and tell Him the truth. It is okay for us to tell Him that it is hard, that it will hurt, and that we sincerely do not want to do it. It is even okay for us to asked to be spared.

But then, as Christ did, we are to then tell God that we will do it anyway. And then we must do it, whatever it is.

And I think that as we faithfully follow God, we will be able to find joy if we continue to look for it. If we remind ourselves that joy is our goal. Pain is only the cost, and it will eventually pass. The joy we seek will be with us forever.

And God and Jesus Christ will be there, too.

Regards, best wishes, and as little pain as possible,

-Cecily Jane

All I Needed to Know About Men I Learned from Jane Austen, Part 5: Mr. Darcy

"May I ask to what these questions tend?"
"Merely to the illustration of your character," said she, endeavouring to shake off her gravity. "I am trying to make it out."
"And what is your success?"
She shook her head. "I do not get on at all. I hear such different accounts of you as puzzle me exceedingly." 

-Pride and Prejudice, Ch. 18

My Dear Reader,

When you get to the end of Pride and Prejudice, you want nothing more than to find your own Mr. Darcy and live happily ever after. But when Elizabeth Bennett first met her Mr. Darcy, she wanted nothing more than to watch him take a long walk off a short pier.

Love can be a complex situation.

For example, you can meet a guy and completely misjudge him. To make it worse, he can simultaneously misjudge you. And as a consequence, each of you can paint a picture of the other that is absolute fiction. You have made the time-honored mistake of basing your entire opinion of a person off of one short meeting, without realizing that you're probably missing something crucial.

It kind of reminds me of a few times in my childhood when I would come across people who would set themselves apart from a group, and I'd always assume that they were snobs. Why else would they be looking down their noses at the rest of us? It took a very wise church youth leader to point out the possibility that those snobs could actually be acting that way out of shyness.

And that's something like what Darcy is going through. At the beginning of the book, he's helping his best friend settle into a new place with different, unfamiliar customs and attitudes. Not surprisingly, he likes home a lot better. I think it's because at home, Darcy knows who he is and what he needs to do. But in Meryton, he's a stranger in a strange land.

Add to that the fact that Darcy doesn't seem to be the kind of person who flourishes in big group settings. He prefers small, intimate events. But the first time he is immersed in this new community of people, it's at a crowded dance, where there will be a lot of people who will expect a great deal out of him. As a wealthy man from out of town, he knows he'll be in the spotlight and something of social target.

Lovely.

So, Darcy ends up on the defensive at that first dance, using pride to mask the insecurity he feels. And when his friend tries to throw him headfirst at some country girl, he is automatically and violently opposed. He even says some very unkind things. Unfortunately for him, Darcy is overheard, and country girl, Elizabeth, ends up basing her entire opinion of him on those words. From that moment forward, every move he makes is colored by this view that she has of him, which leads her to a lot of unfair conclusions. It takes the entire rest of the book for Elizabeth to realize that Darcy is not a really big jerk. He's just a guy that did one very jerky thing.

The genius in this dynamic is that neither party is free from blame. Darcy did say some pretty harsh things that he would later deeply regret, and while her sarcasm hides it well, Elizabeth is probably very deeply embarrassed. Humiliated, really. She exacts revenge by taking a little too much joy in Darcy's flaws. She even clings to them when she is presented with evidence of his good character. It's almost as if she prefers it if he's not good enough for her. But considering all of the flawed men that come Elizabeth's way, I think that's pretty understandable.

Because sometimes, I think we are just afraid. I think we're getting ready to take a chance, and we can only think about all of the other chances we've tried to take and how it has all gone horribly, horribly wrong. You remember what it was like go in confident and full of hope, and come out a failure. So, you see one thing you don't like, and you get scared that it's all going to happen again. I mean, you're not crazy. You know that doing the same thing over and over again will most likely produce the same, painful results.

And after all that, it's easy to start believing that failure is inevitable.

Elizabeth isn't going to get anywhere with that mindset, just as Darcy won't get anywhere with his. To move forward, they will both have to change. In a way, you can look at the romance of Elizabeth and Darcy as two journeys of repentance that happen to converge at the end.

But I think Jane Austen is trying to teach us something about what love is supposed to be.

Perhaps it is this journey Elizabeth goes on that distinguishes Darcy from Wickham, Collins, and Bingley. Perhaps Darcy and Elizabeth are good for each other because they challenge each other in the right way. As much as Elizabeth is hurt by Darcy, she is also intrigued by him. As much as she wants to hate him, she has this constant, nagging feeling that there is something she's missing. She's smart enough to see that the facts aren't lining up with her opinions, but she has to overcome her hatred of being wrong and her fear of being right before she can see things as they really are, and before she can see that Darcy is a complex individual.

And it's when she starts to unravel the complexity of Darcy that Elizabeth starts falling in love with him. It's when she has to stop seeing things from her perspective and look through his eyes that she really understands why he acts the way he does, and something changes in her. She doesn't stop being the intelligent, compassionate, fiery character that we love. If anything, her new understanding of human nature makes her more intelligent and compassionate, and her passion for Darcy intensifies her inner flame. She's even brave enough to know what she wants, and fight for it.

So, while Wickham would use her, Collins would diminish her, and Bingley would stagnate her, Darcy makes Elizabeth . . . Elizabether. Without compromising the integrity of who she is, he has motivated her to be a better person. After falling in love with Darcy, Elizabeth becomes the kind of person who would be pretty good at being in a lifelong romantic relationship.

And that's only fair, because she's doing the very same thing to him. She is drawing him far, far out of his comfort zone and forcing him to look at things and at people that he thought were far beneath his notice. She makes him swallow his pride and be very, very brave. She makes him brave enough to be, like Elizabeth, a fighter.

And maybe that's what love is supposed to be. Not two perfect people with a perfect relationship, but two imperfect people who are just trying to understand each other. Maybe love isn't just about the butterflies and picnics, but that there's some kind of purpose to it.

Maybe we don't need to just be looking for love. Maybe we need to be looking for love that makes us better than we are. Maybe we need to be looking for love that makes us smarter, kinder, and braver.

Jane Austen wrote Pride and Prejudice while she was about the age Elizabeth is in the novel, and I imagine that she was going through similar romantic trials and tribulations. I wonder how much of her personal journey is reflected in the life of Elizabeth. I wonder if she was inspired to write about Elizabeth's romantic struggles in order to warn us of the frustrations ahead and encourage us to avoid the dangers of settling for the wrong person. I wonder if she's telling us that if we can't find our Darcy, it's better not to find anyone at all.

Jane Austen never found the kind of love that Elizabeth did. She never married, even though she had the opportunity*. Perhaps she chose a life of solitude because she had bouquets full of Wickhams, Collinses, and Bingleys, and that just wasn't enough for her.  Maybe she's trying to tell us that that it shouldn't be enough for anyone.

And if that's what Jane Austen says, then really, it's good enough for me.

Regards, best wishes, and your very own Darcy,

-Cecily Jane

*Jane Austen once accepted a marriage proposal, then changed her mind the next day. My guess is that he was a Collins.

All I Needed to Know About Men I Learned from Jane Austen, Part 4: Mr. Bingley

"Well, my comfort is, I am sure Jane will die of a broken heart, and then he will be sorry for what he has done."

-Pride and Prejudice, Chapter 40

My Dear Reader,

When surrounded by Wickhams and Collinses, you would think that a Mr. Bingley would be a sight for sore eyes. And, for a short time, he is. Mr. Bingley is, after all, not a sleaze bag. He's even a pretty good guy. Sometimes, that's more than enough.

The problem with a Mr. Bingley, though, is that's he's all wrong for you. There is something about him. It doesn't make him a bad person; it just makes your personalities incompatible. Maybe you find him boring or irritating. Maybe you think he's too cheerful. Maybe he's in love with your sister/best friend. Maybe he's from Canada. For whatever reason, the two of you are destined to be no more than friends.

And sometimes, that can just break your heart.

Not because you have feelings for him, per se. Your heartbreak will stem from the fact that after wading through an ocean of jerks and idiots, you've finally found a good man, and you just can't make yourself fall in love with him. Oddly enough, this can lead you to even greater despair than you were in before. Before you met Mr. Bingley, you thought that good guys didn't exist. Now, you know that there are good men out there, but you're just as far away from finding a mate as you've always been. It's almost insulting.

And, of course, you can ignore all that and try really hard to make it work. You can tell yourself that finding someone compatible with your personality isn't really important. You can even tell yourself that if you can't make it work, there must be something really wrong with you. And maybe there is, because at some point, you will be sitting across the table from a Mr. Bingley, and something about him will make you want to drive your steak knife through his heart.

That doesn't bode well.

Sure, your Madre and Padre will probably miss all of this. Sure, they will chalk it up to sexual tension and start planning your wedding. And sure, you'll be thinking of other places where that steak knife could go. But I find that when it comes to aggressive, misguided parental matchmaking, you can choose to be offended or amused.

I always choose to be amused.

Of course, Mr. Bingley would be perfect for someone else. What annoys you might easily attract another. So, you're happy to set him up with your sisters/friends. You're even over the moon when it works out and they end up happily ever after. As long as he's marrying her instead of you, everyone can go about their business without getting stabbed in the chest.

And when your sister/friend runs into a rough patch with Mr. Bingley, you will happily let her cry on your shoulder and tell you all her troubles. You, after all, have a unique perspective. You hold no malice towards the guy, but you're not blinded to his faults. So, when your sister/friend tells you her side of the story, you can easily see who is actually to blame. If you're a good sister/friend, you'll take her side regardless, but your clear insight will help you give her the right advice. And you even hope that if their relationship doesn't work out, he'll find someone who will be better to him than you could ever be.

I usually try to befriend the Bingleys I meet. A girl can't have too many guy friends, in my opinion, and surrounding yourself with quality male companions has infinite benefits. Not only will they be able to come over and lift heavy objects at a moment's notice, but they will remind you that you deserve somebody who deserves you. If you surround yourself with Bingleys, you will know what you are worth. They will make sure of it.

And, if Jane Austen is to be trusted at all, there is a good chance that your Mr. Bingley and your Mr. Darcy play basketball together. So really, you're just getting closer.

But more on that next week.

Regards, best wishes, and plenty of sister/friends and brother/friends,

-Cecily Jane

All I Needed to Know About Men I Learned from Jane Austen, Part 3: Mr. Collins

"Do not consider me now as an elegant female, intending to plague you, but as a rational creature, speaking the truth from her heart." (Pride and Prejudice, Chapter 19)

My Dear Reader,

Last week, we learned all about Mr. Wickham, the master of deception.

Mr. Collins, in contrast, always believes that he is telling the truth. In fact, Mr. Collins believes that everything he says is witty, well-spoken, and revealing of the true nature of the human condition.

The only problem is that Mr. Collins is so self-absorbed that in his mind, he is the best that humanity has to offer. He has constructed an entire reality in which he is a god.

Collinses are sometimes hard to spot, because they all define "best" a little differently. Some of them think they have an unsurpassable intelligence. Others think that they have a face and body that would make a grown woman weep. Some just think they're superior because they happen to be male. Others think they are great because they have suffered a great deal. The worst of all Collinses are the ones that believe that they are better than other people because they are the most righteous. Only a truly deluded individual could miss that oxymoron.

When coming in contact with a Mr. Collins, the best case scenario is that they do not like you. Since a Collins thinks of himself a god, being unattractive to him makes you (in his eyes) an unworthy and rather repulsive creature. Sure, it means that he sees you as garbage and will treat you accordingly, but that treatment is preferable to being liked by such a proud fool. At least, aside from a few uncharitable comments, he will largely leave you alone.

When they like you, Collinses are almost worse than Wickhams because they don't just want to play with you, they believe that they deserve you. To a Mr. Collins, you are simply the trophy that he gets for being the best. He may shower you with praise, but do not be fooled. In a very twisted way, this is only Collins praising himself. By raising you on a pedestal, he is making himself the man worthy of such a divine individual. He is merely feeding his own delusion.

It doesn't matter to him that you find his hubris repulsive. (Hopefully, you do!) Your choices are not a part of his consideration; he owns you now. You exist only to reward his excellence. It may be difficult to convince a Collins that you have the right to make your own decisions, and perhaps even harder to make him believe that you do not find him as attractive as he finds himself. For this reason, he is almost impossible to get rid of, because a Mr. Collins is nothing if not persistent.

This, of course, brings you quite the dilemma. How can you get him to leave you alone if he won't listen to you? You may be tempted to be harsh, and this is usually my approach. It is very tempting to shatter that fantasy of his. But Jane Austen went a different (and perhaps better) route. When Mr. Collins proposes to Elizabeth, and refuses to believe her rejection, Elizabeth does not cut him down to size. Instead, she makes herself less desirable without actually being self-deprecating.

When Elizabeth turns down his proposal, Mr. Collins believes that Elizabeth has rejected him as part of a mind game. Perhaps he sees these kind of women as sophisticated and desirable. Elizabeth, however, greatly prefers sarcasm to mind games. So, she tells him the absolute truth: she is not the kind of wife he wants. Elizabeth is not concerned enough about outward appearances to make for a good trophy. She does not care about impressing people with fancy skills or lavish clothes; she cares about her family.

Really, they would both be miserable.

Elizabeth says, in effect, "I'm not the person you think I am (and that's probably a good thing)," and Mr. Collins backs down. In Beauty and the Beast, Belle uses a similar, yet snarkier approach with Gaston (a Mr. Collins if there ever was one), with little success. I don't think that Collinses are particularly good at deciphering snark.

Any sarcasm would have been completely lost on Mr. Collins. But apparently, Mr. Collins also has a hard time with the truth, because he still refuses to believe her. So, as a last resort, Elizabeth turns to a higher authority who Mr. Collins respects: her father. It is only then that Elizabeth can be set free.

Everybody has a boss. If you can find Mr. Collins's boss and get him/her on your side, you have a nice little escape hatch.

Collinses are everywhere. I've met far more Collinses than I have Wickhams. They seem to be everywhere I turn. Luckily for me, when it comes to men, I am very skilled at the art of escaping.

Regards, best wishes, and a mate who actually respects you,

-Cecily Jane

All I Needed to Know About Men I Learned from Jane Austen, Part 2: Mr. Wickham

"Mr. Wickham is blessed with such happy manners as may ensure his making friends—whether he may be equally capable of retaining them, is less certain."

-Pride and Prejudice, Chapter 18

My Dear Reader,

If you're not sure what this is, make sure you read the intro.

When Pride and Prejudice's protagonist Elizabeth Bennet first meets Mr. Wickham, she is very taken with him. In a world where she is rarely appreciated, he makes her feel special. What she doesn't know, of course, is that a Mr. Wickham is never, never a good thing.

From a literary standpoint, Mr. Wickham shares elements with a lot of characters in the romance genre. Essentially, he's the bad boy. He is the kind of person who believes that rules do not apply to him, which gives him an illusion of strength. This becomes dangerous because it plays into the cavewoman instinct. If he is strong enough to buck the system, this cavewoman instinct tells you that he is strong enough to protect you. This is not the case.

Still, we all fall for it. Until we don't.

Because eventually, via the school of hard knocks, we learn that Mr. Wickham is actually a coward. He doesn't rebel against the rules because he is serving some higher cause; he is rebelling against the rules because he doesn't have the spine to become a productive member of society. While he appears to be rebelling, he is really in constant retreat. He will come to a new place, wreak havoc, and leave when it becomes uncomfortable.

A Mr. Wickham is always running from his past.

A Mr. Wickham is a man who prefers it if other people suffer the consequences of his actions.

A Mr. Wickham is a man who thinks that the world (including you) exists just for his amusement. He likes to be pleased, and is therefore always seeking pleasure.

Most importantly, Wickham is a master of deception. He likes being liked, and is very good at it. He is charming enough to make you think that he is good, and then when he gains your trust, he tells you lies that you willingly believe. This way, he can move you like a chess piece on a board, manipulating you into doing things that will help him keep up the scam he's running. Eventually, he loses interest and disappears. And when that happens, you will find that he has left you in a very, very bad place.

At first, of course, it's hard to see any of this. He isn't some element of destruction; he's your ally. He forges this alliance by strategically hating things that you also hate. This puts you on the same team. He can do this with such subtlety that you feel like you have a duty to be loyal to him. You feel like you have to hate what he hates. And a Mr. Wickham always hates something.

He makes sure that you think he is shy about it, of course. He wants you to think that he is a positive influence in your life. So, he gets you to coerce him to spill. And when he finally tells his story, he is careful to make himself a victim, so that you will feel the need to comfort him. He tells you one sad story, and you suddenly find yourself with a new enemy. Suddenly, you find yourself with a need to put your new enemy in his/her place. You want to protect and avenge him.

But, of course, Mr. Wickham can't allow that. If you confront his villain, you will quickly find out that he has told you a great pack of lies. He has not told these lies so that you will fight for him; Mr. Wickham has told them in order to separate you from the one person who can expose him as the scoundrel that he is.

It's an old, but very effective trick. Say Mr. Wickham likes two girls, and wants to date them at the same time. So he goes to Girl 1 and tells her that he really loves her, but he is obligated to spend time with Girl 2, who is ugly and boring. Then he goes to Girl 2 and tells her that she is this one true love, but this Girl 1 chick is obsessed with him and won't just leave him alone. So, naturally, Girl 1 and 2 are repulsed by each other. This is exactly what Mr. Wickham wants. The second these two girls actually have a conversation, they will realize that they've been had. Mr. Wickham can't have that.

It would be too hard to swallow if this hadn't literally happened to several friends of mine. Mr. Wickhams are everywhere.

And they all work the same con: to get you to trust him, and only him. He can even get you to the point where you believe that it is you and him against the world. He can get you to see an enemy everywhere you turn. That way, when people try to warn you of his dark secrets, you will not believe them. That way, he can do whatever he likes with you.

But this house of cards he has built will not last long. At some point, one of them will refuse to hold the rest of the weight, and the whole thing falls to pieces. Someone from his past will show up and spread his recent exploits, or someone will be smart enough to realize that they are being manipulated. Sometimes, all it takes is someone being at the wrong place at the right time. However it happens, it is inevitable.

And when it does, the best case scenario is that only Girl 1 and Girl 2 have been victims. In Pride and Prejudice, the original Mr. Wickham managed to victimize an entire town before anyone got wise. He was so good at isolating people that they had no idea that their friends and neighbors were victims because no one was willing to compare notes.

But luckily, Jane Austen has taught us that this very tactic of isolation is what makes a Wickham easy to spot. It's natural for most couples to start falling off the face of the Earth while they're falling in love with each other, but if your boyfriend is getting you to revile and avoid people, you need to ask yourself what he's hiding from you. Because if he's filling your heart with trust for him and suspicion for everyone else, he is most certainly a Wickham.

And, he will leave you. The moment he is outed, he will pack his bags and vanish. If he gets bored, he may leave even sooner. And when he abandons you, you will have lost the only person you trusted, and you will understand that he was not worth trusting. And unless you are very, very lucky, that will tear you apart.

So, the way I see it, you need to learn how to spot a Wickham, and when you spot one, you need to take your loved ones and run for your life.

It's a lot easier than having to pick up the pieces.

Now, you want a guy who will tell you the truth and be almost impossible to get rid of? Next time, when we discuss Mr. Collins, I'm sure you will get your fill.

Regards, best wishes, and someone you can trust,

-Cecily Jane

All I Needed to Know About Men I Learned from Jane Austen, Part 1: Introduction

My Dear Reader,

I realize that there are a lot of people who do not understand the fascination that people like me have with Jane Austen. To be brief: she speaks the truth. She is a writer who captured relationships and human nature in a way that most authors can't.

In a way, she reminds me of Charles Dickens. Before Dickens, books were about the rich. But Dickens grew up as a poor child. He understood the poor, and he wrote about them in a way that got attention. In a culture obsessed with social class, Dickens offered the higher classes an unprecedented glimpse into the lives of the poor. Ironically enough, he had to hide his poor upbringing because it would have killed his credibility, but the deeper you go into the writing, the deeper you go into the soul of the boy in rags who was brilliant and talented enough to make his fortune. The more you read Dickens, the more you realize that Dickens is telling his own story in code.

Jane Austen, in comparison, was not especially poor, and not especially interested in writing about the poor. She was, however, a single woman in a culture where being single wasn't exactly an option. Austen's tales of romance are compelling and timeless because she was a talented author writing about a subject that she uniquely understood. She knew what it was like to be shoved at suitors who were less than desirable and to be snubbed by men of means. She knew what it was like when you either had to marry an idiot or lose the farm. And, through her own experiences and those of her sister Cassandra, Jane Austen knew what it was like to have heart-wrenching loss that was so soul crushing, it would take more than a lifetime to recover from.

I like to think that she poured these parts of her into her stories, and that by reading them, I get closer to understanding the kind of person Jane Austen was. More importantly, I find that the experiences she describes in her novels are so human, and so relatable, that I kept running into version of her characters in my life. I will explain by way of her most popular creation, Pride and Prejudice, and the four prominent male characters in it: Mr. Wickham, Mr. Collins, Mr Bingley, and Mr. Darcy.

For your convenience, I will be breaking this analysis of Austen up into installments that will be published throughout the next few weeks. Why is Wickham so destructive? How can you escape the clutches of a Mr. Collins? What is heartbreaking about Mr. Bingley? Why is Mr. Darcy so special? Check back and find out!

Regards, best wishes, and happy endings,

-Cecily Jane